BIOGRAPHY

Remo Bevilacqua was born in Basilicata in 1980 by Armando and Maria Teresa. Inherit from parent the art: Painter and designer of much secrecy, in turn last of a family of artists. He attended the Magistrale "Pythagoras" Insitute of Montalbano J.co is encouraged in his artistic activity by various personalities from the field.
Shall be directed to the study of design as a vehicle for analysis of personality and the environment. Experiences and different painting techniques, especially dedicated to the study of color as an expression of self. Brilliant artist, an artistic journey through whose central theme is the "form-color" pass it by force plastic-figurative (first phase) from exalted noble strokes and balanced, all'onirismo-surreal metaphysical (second phase) in which the interior as well as experienced staff, is made collectively. After skillfully customized the dripping, the action-painting, the body-art and abstract expressionism, making daring trials so as to be considered among the best performers and most seductive of Pollock, the observation suggests "Kosmos, gestural transcription in tear drops: metamorphic action. " With Kosmos series of paintings and installations, there is a high performance professional quality and everything is pure chance, accidental ... but because the artist over the design, produces a clear finish on the strap so as to unfinished and submit, then, the observation-participation of the public, now direct the protagonist of the 'event'. In Kosmos, Bevilacqua no longer an artist Informal (justification of the tear), so draw up a new and impressive collection of paintings: many more. in many more shows are a unique painting style and personal, where everyone has the form canvas (imperative form) at the drop of color (unusual form). Human forms and not come back on stage to highlight a research shaped by skillful orchestrations of colors in blue, green and their derivatives and to show a genuine genre painting (third phase). The author, in his paintings, interconnects several forms, from the media used in corrections (including human) to those essentials. And to quote J. J. Winckelmann: "It is important that the artist is thinking more than they do see." Among the dreams of Remo Bevilacqua is a desire to expose at least once with the mother.